How NOT to write about music – 39. U.S. Girls


I cannot get a fix on the following, it has disorientated me.

The descending cadences, 2018’s fondness for squeaky-high voices, the proliferation of words and its latent underlying anger… if I wish to show my age, I could say it reminds me of this. You may care to disagree with me. You may decide the fluid elasticity and spiraling afterthoughts do not match, although you could hardly deny the left-leaning focus. We are all born in flames (not true) but some of us grow up screaming, some shouting, some dancing… and some just do not fit in. To this day I have no idea what Meghan Remy looks like, and to this day I have no desire to break the taboo. Her music is about rhythmical intricacy and the splendour of isolation and collaboration, and I see no reason to fuck with that. She is like a grown-up MGMT but I do not mean that in a negative way, quite the opposite.

One publication titled a profile on U.S. Girls as The Entire History of Female Pop Music in One Woman I consider that signposting reductionist and patronising (would anyone term a similar male profile that way?) and untrue, so much so that I cannot be bothered to provide a link. (She also gets called eccentric – wow! – and compared to David Lynch if he was Madonna, which is fucking stupid.) Her music is prog, ain’t it? I have never had the same problem with female prog as I did with male prog. Gender does matter.

I am late to the protest. The Guardian has compared her to “classic 60s girl group and disco-era Blondie” but that is so simultaneously true and not-true it makes my head spin.

For a start it makes U.S. Girls sound incredibly accessible. U.S Girls are so NOT incredibly accessible.

In the same way Animal Collective once sounded like the “skipping-CD Beach Boys” – like someone spilled some coffee on a CD of The Beach Boys’ greatest hits and so every time it was played it again it was doomed to repeat the one cracked and warped loop, so U.S. Girls are to the above-mentioned. Or something. Your call. I couldn’t give a fuck. As I say, I am late to this party. I like the way she sticks one finger up to authority, pisses on male uselessness.

YouTube recommends Billy Corgan, The Doors,  Garbage, The Temper Trap, Maroon 5 for me. I find this odd. YouTube does not recommend U.S. Girls for me. I find this odd, also.

One thought on “How NOT to write about music – 39. U.S. Girls

  1. Pingback: How NOT to write about music – 151. U.S. Girls | How NOT to write about music

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