How NOT to write about music – 136. Kim Petras


Soft rock by any other name.

I do not have a problem with this: a good song is a good song; if you give me a couple minutes more I could nail the songs below remind me of; maybe it could be a capsule game for you instead – write in and join the community!; any problem I have with the idea of  power ballads and soft rock long since evaporated and I feel all the happier for this; my aesthetic choices do NOT need to define me as a person, not if I choose not to let them; her lyrics are sung so straight-faced it begins to feel like parody (c.f. Legally Blonde 2) which I am sure is part of the intention; her synths are squidgy; as are her videos; post-Billie Eilish her music seems to be taking a more Poppy-ish turn, which sounds to me ill-advised cos she ain’t no fucking Goth that’s for sure; maybe I should not be using my Pat Benatar filter here but; just great, great pop. Doesn’t everyone want to live out their fragile Disney princess fantasy? I am not saying this to try to reinforce hetero-normative standards.

(This next part lifted from YouTube.) In a recent interview, Petras said that she doesn’t want people to flock to her due to her identity — she wants them to flock to her for her music.

“I just hate the idea of using my identity as a tool,” she told HuffPost. “It made me the person I am and that’s a big part of me, but I think music is about your feelings and your fantasies and it goes deeper than your gender or your sexuality.” The singer added that she is proud of her identity and wants to bring more visibility to the transgender community, but she has something else that she wants to prove as well. “I think the ultimate goal for me is if a transgender person can be known for anything but being transgender,” she said. “There are still too many people who think being transgender is very freaky. And they think you can’t live a happy life and try to tell their kids not to transition because they’re afraid their life will be harder.”



(Older, and the most wonderful – Madonna’s ‘Material Girl’ for the Millennial generation.)

There again, I always felt Paris Hilton was vastly underrated as a musical and style icon. Uh, this statement shouldn’t be examined in any depth… I suspect it could be torn apart in a nano-second.

Here. Have some Robyn.

2 thoughts on “How NOT to write about music – 136. Kim Petras

  1. Pingback: 10 Least Read Entries on How NOT To Write About Music (January 2020) | How NOT to write about music

  2. Pingback: 10 Least Read Entries on How NOT To Write About Music (February 2020) | How NOT to write about music

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