10 Most Read Entries on How NOT To Write About Music (June 2019)


1 (1) How NOT to write about music – 27. Television Personalities
I have been aware for as long as I can recall that music has provided me with a sense of belonging, a sense of community and sharing, give and take. And if that no longer exists then surely that is my fault and no more and no less than I deserve. Music scorns me like a former lover. Back when I knew Alan McGee and Dan Treacy in the early 1980s the music provided a palpable sense of belonging, clubs like (Alan’s) Living Room at the Adams Arms and (Dan and Emily’s) Room At The Top (Chalk Farm Enterprise) providing a living community of outsiders, bloaters, the braggarts and the bullies, the shy and the emotional, the Sixties obsessed guitar freaks and the psychedelic losers. Alan gave me Dan, Dan gave me Marine Girls and so much inspiration in his own personal, heart-torn songs – no separation between performance and performer, much as Dan attempted to insert some. Amazing fucking pop songs.

2 (7) How NOT to write about music – 31. Mumford & Sons
Mumford & Sons is shit, Cath Kitson folk shit, Occado Levellers shit. Shout it from the tops of night buses and at office parties. Waistcoat-bothering, fake folk dinner party shit. Slumming shit. Tweed clad, Morris-dancing jizz wizard shit. Tripe shit that needs to be sellotaped to a Frisbee and thrown into a fire shit. Mumford & Sons is shit. They make Bono sound restrained. They make Billy Corgan shine with integrity, Ed Sheeran shine with an inner fire, Trump dance the media with rascal grace. They put the grey into perspective.

3 (-) ET’s 30 favourite songs of 2018
1. Suburban Death Twitch – A Layer of Fat and Mold
One dear friend saw Brighton’s Suburban Death Twitch perform recently and found himself dismayed and more than a little angry that such casual, soulful brilliance should go unrecognised. He has little recourse to publicity like many of us, so he used what he could. He bought a copy of their new EP for me, knowing that I could not fail to love this beautiful, soulful music (like a general scouring in the area that involves ABBA’s break-up albums, the mould at the back of your fridge, half the towns of Hastings and St Leonard’s, the three-point acerbic harmonies of The Roches, the wayward belligerent swagger of Band Of Holy Joy#metoo, friends that still cannot grasp why half their world seems to give up soon as they have a steady revenue and a person, any person, to fill the void, and so forth).

4 (-) How NOT to write about music – 43. Bikini Kill
How did you hear about riot grrrl?
“Oh jeez. So long ago. I used to travel to Olympia whenever Sub Pop flew me out to Seattle – it was one of my great, secret pleasures: turn up there, sleep on Calvin Johnson’s floor at The Martin (first time I visited there, I even recorded a single with Calvin and Tobi Vail in the garage at Tobi’s parents’ house), berate him for the Skrewdriver poster on his wall, drink hot chocolate and go to all-night dance parties, and delight in the fact alcohol didn’t seem to exist in Olympia. How little I knew! My early friends there were Nikki McLure, Calvin, Al Larsen, Lois Maffeo and Tae from Kicking Giant. I delighted in visiting the K warehouse – which was in a tiny apartment above a garage shop or something right near the Capitol Theatre – and avariciously buying up every last cassette and fanzine and seven-inch single Calvin was distributing, on Melody Maker expenses.”

5 (2) How NOT to write about music – 26. Kristin Hersh
I want to write about Kristin’s new album but the music keeps intruding, in a way music rarely – if ever – does when I am attempting to write about it. Full immersion. The way the music and guitar lollops and loops and curves, and throws off sunshine and charm (NB: stolen from press release), the way her voice sounds wise beyond understanding, the way a pink birthing ball is resting over there by the torn-out fireplace, the shallowness of my breathing, the tears splattered across my car’s windscreen… I find myself unequal to the task. She’s not.

6 (-) How NOT to write about music – 51. Ryan Adams
Some of us have always hated Ryan Adams. The following is reprinted from Music That I Like, 2017.

7 (3) WORLD EXCLUSIVE! Live review of ‘fake’ metal band THREATIN at Camden Underworld
Surely, this is of interest? We were there. “Three people show up and one of them’s a music journalist! Jammy bastard! What are the chances of that?” Quite high, actually. It’s what we do. As keen metal fans here at How NOT To Write About Music, we posted this report a couple of days ago – but no one paid attention. So here it is again: whether the band is ‘real’ or not is not of importance to us here at How NOT To Write About Music. To us, they were real when they played. What is far more important is the question: does the band rock? And trust us, like you’ve never trusted a music critic before: this band… well, read for yourselves.

8 (-) How NOT to write about music – 48. Billie Eilish
I have this on constant repeat and it races round my head on a loop of delight and discovery. It is playful, it teases but it is also maudlin and it depresses. It is conflicted, confused. I love conflicted, confused. That is my main jam in life. Feeling conflicted. Such a natural pace and rhythm and timing. The way it stops and then jolts awake. The way it jolts awake and then screams silently and then stops and then runs away and then loops around once more. The way it falls asleep. The Way It Keeps You In The Dark. We all fall asleep. We all feel excited and depressed and maudlin and charged simultaneously. We all like to be playful with our darkest spirits. We all crush. We all crash. We call crush.

8 (-) Pete Shelley R.I.P.
First band I ever saw.
The initial incarnation of Buzzcocks (and yes, I’d include ‘Spiral Scratch’ in that, and the three final singles) is about the most perfect incarnation of a pop group ever.
Greatest run of seven-inch singles in the history of pop music.
Greatest run of albums ever.

God damn. Pete, you were so special.

10 (5) Everett True’s 10 favourite albums of all time* … and one that changed his life
This is reprinted from my Brisbane website Collapse Board, originally written for an Australian publication that never ran with the article. My original intro pretty much covers it – to this list of omissions I would now add most obviously Beyoncé (Lemonade, duh), but also St Vincent, some gospel (this, for instance), Blind Blake, Metal Box (PiL), more ska and bluebeat for sure, Lee ‘Scratch’ Perry and dub reggae circa late 1970s, Talking Heads, Undertones, Tunabunny, Little Mix, some female grime (this, for instance – or this), my own stuff, Miley Cyrus (seriously), The Cramps, The Saints, The Go-Betweens (but also this!), The Roches’ first two, Daniel Johnston and so forth.

11 (-) How NOT to write about music – 79. Bikini Kill
12 (-) How NOT to write about music – 33. Muse
13 (4) How NOT to write about music – 25. Salad
14 (-) How NOT to write about music – 78. Bruce Springsteen
15 (-) How NOT to write about music – 72. Tropical Fuck Storm
16 (-) How NOT to write about music – 80. Radiohead
17 (-) How NOT to write about music – 67. The Membranes
18 (-) How NOT to write about music – 35. Buzzcocks
19 (-) How NOT to write about music – 75. Morrissey
20 (-) How NOT to write about music – 58. Michael Jackson

…from which I can extrapolate, my blog is slowly (very slowly) picking up readers. So thank you for that.

How NOT to write about music – 51. Ryan Adams

ryan adams

Some of us have always hated Ryan Adams. The following is reprinted from Music That I Like, 2017 


Father John Misty vs Ryan Adams: Who Is The Biggest Asshole?

Here is the ‘news’ story. 

And here… fuck it. Who the fuck cares? Both are weak, fifth-rate, belligerent boring narcissists with little taste in music and even less taste in hair.

On the one hand, Ryan Adams has never written poetry like this:

Father John Misty
You seem quite shifty
Humorous in a non-humorous way

Father John Misty
The critics love to discuss you
They want to know the ‘real’ you

All art is a performance
But not all art is boring
or dull or serious or like late 70s Elton John without any tunes

You have a beard
And no back story
Just another hipster glowing
In the light of another

Father John Misty
You have been compared to various art-
ists like Fleet Foxes, Jackson Browne and
others I have never heard

Father John Misty
I have not heard your new album either
This does not bother

I have a feeling that
You and I could never be
friends or enemies or even one-night lovers as we have absolutely nothing in common beyond a distrust of
razor wit

Father John Misty
Critics like to use your real name

All art is a performance
Some duller than others
Some so dull that it should not be listened to at all

Father John Misty
Like an Agatha Christie
Without any myst’ry

Father John Misty
Pitchfork inform me that you have one of the “7 Albums Out Today You Should Listen to Now”
So demanding
And with the bar set so low

On the other hand, neither has Father John Misty.

On the one hand, one is a boring middle-class white male rock tosser. On the other, one is Ryan Adams.

On one side is a man who has plenty to say, but fuck me is it dull and tedious. And on the other, one is Father John Misty.

One is bloated, corpulent, unfunny. So is the other.

Related posts:
Father John Misty vs Ed Sheeran. Who is the more shit?

You still want to know what the songs sound like? They sound exactly how you would imagine them to sound. The title track is a ragged folk-waltz, ‘Kindness’ is a lush testament to the healing power of love, ‘Save Me’ is an intimate country-rock lament … look I can’t play this game anymore. This album is awful. It is beyond awful. It is a waste of your time. Trust me; you can do much better than this. You deserve better. I am truly sorry if you think the things Ryan Adams describes on Ashes & Fire are real emotions. They are not. They are the words of a person whose imagination is comatose; it is the poetry of the mundane. We are all in the gutter, but that does not mean we have to drink from it. Ryan Adams – Ashes & Fire (PAX-AM/Capitol)

You can still buy the book Ed Sheeran Is Shit. Paypal £13 (UK) / £16 (EU) / £20 (ROTW) to ramonesfan79@yahoo.co.uk. Be warned though, there are only about 10 copies left